Body resonance based on butoh and organic movement workshop by Yumiko Yoshioka
Japan/Germany, 18 – 22 Dec. 2007
This workshop focuses on learning to relax body and mind, to cultivate a high level of concentration and as a result, to activate a potential energy, combining imagery and physical movement.
At first Yumiko leads the participants to work consciously towards these objectives until they reach an automatic state of movement. Through a dialogue with the body, the participants will not learn how to move, but how to be moved, consequently realizing that we are all a part of a universal wholeness.

Jinen Butoh by Atsushi Takenoushi
Japan/France, 3-6 June 2008
Takenoushi's workshop, based on the Jinen Butoh discipline, is an intense experience, where body and soul are triggered, allowing each participant to discover his/her personal way of moving and communicating with the world. The workshop demonstrates simple and primitive ways of communication exploring transformative states of the body. He teaches participants how to connect to their organic history, guiding them through their genetic memories and allowing them to teach themselves the dance of their ‘molecular ancestry'.

Creating and integrating music in theater performances by Batida Company
Denmark, 5 & 6 Nov. 2008
This workshop is lead around the creation and integration of music in small scenes with dance, movements and words, through exploring the power of details.

Pantomime / silent movie technique by Chrystèle Khodr and Antoine Bouguier
Lebanon/France, 9 - 13 Feb. 2009
The workshop starts with pantomime which leads to the silent movie technique that was first put into practice by "Jacques Lecoq". The pantomime is approached through classical texts intended for this style.
The silent movie technique includes working on the walks, the musicality, the rhythm, and the creation of independent characters.

The voice/path of the body by Alia Sellami
Tunisia, 14 - 18 Feb. - 2009
This workshop delves into the body of the performer and his/her voice through becoming conscious of the relationship he/she establishes with his/her body. Slowly discovering the voice that comes through improvisation exercises, participants will learn to manage their voice and their interventions in the group, by listening, being in control of their instrument and erasing any auto-censorship towards creativity through the voice.

Letters Towards an Exceptional Clown by Wahid El Ajmi
Tunisia, 5-10 June 2010
The workshop embodies Wahid's personal approach to the art of the clown. Through questioning this art (its techniques and the investments it engenders), the workshop aims to liberate the actor from all typical trappings (stereotypes, archetypes, prototypes). This is done by getting over the make up and the grotesque costumes, by forgetting all the clichés and diving into ourselves, right into our pure and infantile humor, where our own clown hides…“Everyone has a clown, let's look for it!”